Iliyotazamwa zaidi Mwaka 1999 - 392

Student Film

“Sequences of space-time manipulation that raise the problem of continuity in the shot.” - Yo Ota

This unique production from ERI Safety Videos encourages workers to be safe at work so they will come home at the end of the day. The custom music...

Abstract film in which the maker processed television fuzz using software thereby creating a new visual language.

On a restless monochromatic palette, a woman experiences the psychological damage of a visit from the police.

Two young people in bed together are about to break up.

An exploration of Achromatopsia.

"I wanted to take a slow, searching look at a couple in trouble – it's not punched up melodrama, just the awkward way two people try and fail...

Absurd stories mix with wordplay in the early video works of William Wegman. Product demonstrations, application of household appliance on videotape,...

A film by Andréas Lang.

Marcos, blind and deaf, learned to speak in the institute for the blind run with an iron fist by Guadalupe. Saul, commissioned by the director to...

Kiss at Estadio River Plate, Buenos Aires, Argentina Psycho Circus Shout It Out Loud Deuce Do You Love Me Firehouse Shock Me Let Me Go, Rock...

Setlist: Breadfan Master of Puppets Of Wolf and Man The Thing That Should Not Be Fuel The Memory Remains Bleeding Me Bass/Guitar Solos The...

Track List: 1. Metropolis I 2. Puppies On Acid 3. Just Leth Me Breath 4. Hollow Years 5. Caught In A Web 6. Peruvian Skies 7. Another Day 8....

"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture." -...

Theoretical experiment that uses the technique of picto-cinematography, win which “the search for the temporal objective duration of...

Gray and his lover Daniel are about to have a commitment ceremony, only to have their volatile relationship come close to implosion as the big day...

A boy and a mute carry a sacred text with them following the fall of their village.